‘Any dark saying’: Louis MacNeice in the nineteen fifties.
The Particular contours involving Louis MacNeice’s profession tend to be rarely contested:from the higher point involving his nineteen thirties work, reaching a crescendowith Autumn Journal (1939), he drifted right into a slump, reaching the nadirwith a pair of collections from the early nineteen fifties, Ten BurntOfferings (1952) along with Autumn Sequel (1954), just before reviving […]
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